An isolated mansion. A chillingly charismatic aristocrat. And a brave socialite drawn to expose their treacherous secrets. . . . From the author of Gods of Jade and Shadow comes “a terrifying twist on classic gothic horror” (Kirkus Reviews) set in glamorous 1950s Mexico.
After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region.
Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemi’s dreams with visions of blood and doom.
Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness.
And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.
Arthur Machen's first book, THE GREAT GOD PAN, published in 1894, is still one of the greatest works of weird horror and decadence ever produced. Arthur Machen with his taste for the bizarre and macabre, unfurls the tale of a young girl cursed by her unnatural parentage to become a creature of shape-shifting, poly-sexual, demi-human evil.
This book is the earliest and most influential of the Gothic novels. First published pseudonymously in 1764, The Castle of Otranto purported to be a translation of an Italian story of the time of the crusades. In it Walpole attempted, as he declared in the Preface to the second edition, "to blend the two kinds of romance: the ancient and the modern." He gives us a series of catastrophes, ghostly interventions, revelations of identity, and exciting contests. Crammed with invention, entertainment, terror, and pathos, the novel was an immediate success and Walpole's own favorite among his numerous works. - Back cover.
Drácula parte de la existencia de Vlad Tepes, un personaje histórico situado en la Rumania del siglo XV, y conocido por su heroicidad contra la invasión otomana, pero también por su crueldad. A partir de esta historia y de no pocas leyendas acerca de él, Bram Stoker escribe esta magistral novela en forma de diarios y cartas que los personajes principales van intercambiándose. Una obra trascendental de la literatura gótica que abrió un nuevo camino en la novela de terror y que instauró la figura del aristócrata transilvano como arquetipo del mal y modelo de seducción perversa, y sus páginas han sido fuente innagotable de innumerables adaptaciones cinematográficas. Por fin una edición a la altura de la grandeza literaria de este clásico, profusamente ilustrada con grabados de la época. Drácula es uno de los personajes más conocidos del terror gótico.
The Woman in White famously opens with Walter Hartright's eerie encounter on a moonlit London road. Engaged as a drawing master to the beautiful Laura Fairlie, Walter is drawn into the sinister intrigues of Sir Percival Glyde and his 'charming' friend Count Fosco, who has a taste for white mice, vanilla bonbons and poison. Pursuing questions of identity and insanity along the paths and corridors of English country houses and the madhouse, The Woman in White is the first and most influential of the Victorian genre that combined Gothic horror with psychological realism.
Northanger Abbey is both a perfectly aimed literary parody and a withering satire of the commercial aspects of marriage among the English gentry at the turn of the nineteenth century. But most of all, it is the story of the initiation into life of its naïve but sweetly appealing heroine, Catherine Morland, a willing victim of the contemporary craze for Gothic literature who is determined to see herself as the heroine of a dark and thrilling romance.
When Catherine is invited to Northanger Abbey, the grand though forbidding ancestral seat of her suitor, Henry Tilney, she finds herself embroiled in a real drama of misapprehension, mistreatment, and mortification, until common sense and humor—and a crucial clarification of Catherine’s financial status—puts all to right. Written in 1798 but not published until after Austen’s death in 1817, Northanger Abbey is characteristically clearheaded and strong, and infinitely subtle in its comedy.
Na história, um casal e seus amigos são atormentados por Conde Drácula, uma entidade sobrenatural e hematófoga que, presa em uma maldição contagiosa, pretende se mudar de seu recluso castelo na Transilvânia para a efervescente Londres do século XIX. Com a ajuda do professor Van Helsing, o grupo de amigos pretende enfrentar o morto-vivo, mesmo com todos os perigos que a ofensiva trará.
*Frankenstein; or, The Modern Prometheus* is an 1818 novel written by English author Mary Shelley. Frankenstein tells the story of Victor Frankenstein, a young scientist who creates a sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition was published anonymously in London on 1 January 1818, when she was 20. Her name first appeared in the second edition, which was published in Paris in 1821.
Who will survive Lackaday House?
When Zeb Wyckham is summoned to a wealthy relative's remote Gothic manor, he is horrified to find all the people he least wants to see in the world: his estranged brother, his sneering cousin, and his bitter ex-lover Gideon Grey. Things couldn't possibly get worse.
Then the master of the house announces the true purpose of the gathering: he intends to leave the vast family fortune to whoever marries his young ward, setting off a violent scramble for her hand. Zeb wants no part of his greedy family―but when he tries to leave, the way is barred. The walls of Lackaday House are high, and the gates firmly locked. As the Dartmoor mists roll in, there's no way out. And something unnatural may be watching them from the house's shadowy depths…
Fear and paranoia ramping ever-higher, Zeb has nowhere to turn but to the man who once held his heart. As the gaslight flickers and terror takes hold, can two warring lovers reunite, uncover the murderous mysteries of Lackaday House―and live to tell the tale?
An orphaned, emotionally isolated heiress with no money marries a cunning steel tycoon for a chance to build back her life. As their relationship progresses, she grows increasingly disturbed by her own desires, which are brought to the forefront by the mysterious woman they rescue upon their arrival to their new, decrepit, countryside estate.
Set during the English industrial revolution, inspired by Sheridan Le Fanu's *Carmilla* (1872).
Mallory Fontaine is a fraud. Though she comes from a long line of witches, the only magic she possesses is the ability to see ghosts, which is rarely as useful as one would think. She and her sister have maintained the family business, eking out a paltry living by selling bogus spells to gullible buyers and conducting tours of the infamous mansion where the first of the Saphir murders took place.
Mallory is a self-proclaimed expert on Count Bastien Saphir—otherwise known as Monsieur Le Bleu—who brutally killed three of his wives more than a century ago. But she never expected to meet Bastien's great-great grandson and heir to the Saphir estate. Armand is handsome, wealthy, and convinced that the Fontaine Sisters are as talented as they claim. The perfect mark. When he offers Mallory a large sum of money to rid his ancestral home of Le Bleu's ghost, she can’t resist. A paid vacation at Armand’s country manor? It’s practically a dream come true, never mind the ghosts of murdered wives and the monsters that are as common as household pests.
But when murder again comes to the House Saphir, Mallory finds herself at the center of the investigation—and she is almost certain the killer is mortal. If she has any hope of cashing in on the payment she was promised, she’ll have to solve the murder and banish the ghost, all while upholding the illusion of witchcraft.
But that all sounds relatively easy compared to her biggest learning to trust her heart. Especially when the person her heart wants the most might be a murderer himself.
Evander has lived like a ghost in the forgotten corners of the Hazelthorn estate ever since he was taken in by his reclusive billionaire guardian, Byron Lennox-Hall, when he was a child. For his safety, Evander has been given three ironclad rules to follow:
He can never leave the estate. He can never go into the gardens. And most importantly, he can never again be left alone with Byron's charming, underachieving grandson, Laurie.
That last rule has been in place ever since Laurie tried to kill Evander seven years ago, and yet somehow Evander is still obsessed with him.
But when Byron suddenly dies, Evander inherits Hazelthorn’s immense gothic mansion and acres of sprawling grounds, along with the entirety of the Lennox-Hall family's vast wealth. There’s just one caveat: He must choose a new guardian from amongst Laurie's scheming, backstabbing relatives to help manage the estate until he turns eighteen.
Except Evander's sure his guardian was murdered, and Laurie may be the only one who can help him find the killer before they come for Evander next. Perhaps even more concerning is how the overgrown garden is refusing to stay behind its walls, slipping its vines and spores deeper into the house with each passing day. As the family’s dark secrets unravel alongside the growing horror of their terribly alive, bloodthirsty garden, Evander needs to find out what he’s really inheriting before the garden demands to be fed once more.
**The Netherlands, 1887.**
Lucy's twin sister Sarah is unwell. She refuses to eat, mumbles nonsensically, and is increasingly obsessed with a centuries-old corpse recently discovered on her husband's grand estate. The doctor has diagnosed her with temporary insanity caused by a fever of the brain. To protect her twin from a terrible fate in a lunatic asylum, Lucy must unravel the mystery surrounding her sister's condition, but it's clear her twin is hiding something. Then again, Lucy is harboring secrets of her own, too.
Then, the worst happens. Sarah's behavior takes a turn for the strange. She becomes angry… and hungry.
Lucy soon comes to suspect that something is trying to possess her beloved sister. Or is it madness? As Sarah changes before her very eyes, Lucy must reckon with the dark, monstrous truth, or risk losing her forever.
"Step into the House of the Beast in this dark fantasy debut from The Legend of Korra graphic novel illustrator Michelle Wong, about a young woman who strikes a deal with a mysterious and alluring god to seek revenge on her aristocratic family—featuring illustrations throughout by the author.
Born out of wedlock and shunned by society, Alma learned to make her peace with solitude, so long as she had her mother by her side. When her mother becomes gravely ill, Alma discovers a clue about her estranged father and writes a message begging for help. Little does she know that she is a bastard of House Avera, one of the four noble families that serve the gods and are imbued with their powers—and her father is a vessel of the Dread Beast, the most frightening god of all, a harbinger of death.
In a desperate exchange for her mother’s medicine, Alma agrees to sacrifice her left arm to the Beast in a ceremony that will bind her forever to the House and its deity. Regardless, her mother soon passes, leaving Alma trapped inside the Avera’s grand estate, despised by her relatives and nothing but a pawn in her father’s schemes.
Now vengeance is the only thing that keeps Alma going. That, and the strange connection she has with her god—a monster who is constantly by her side, an eldritch being taking the form of a beautiful prince with starlit hair that only she can see. He tells Alma that she has been chosen to bring change upon their world, and with his help, Alma plots a perilous journey to destroy the House that stole everything from her.
A gripping fantasy novel marked by divine rituals, intense combat, and twisted romance, House of the Beast is a tale of revenge, resilience, and the power of love to see us through the darkness."
**Four unlikely allies in a small town investigate a local teen's disappearance, and what they discover festering at the core of their community is far more sinister and ancient than they could’ve ever imagined. For fans of *She is a Haunting*, *True Detective*, *Mexican Gothic*, and *Midsommar*.**
When Dawson Sumter goes missing, all he leaves behind is a smattering of blood in room 4 of the debt-ridden motel owned by Neera Singh's family. Disappearances like this aren't uncommon in the rural Georgia town of Carrion, especially every thirteen years when a periodical cicada brood returns from underground, shrieking their deafening screams.
For Neera, Dawson is another reminder that in this corner of the South, the rich only get richer, and the poor—well, nothing good comes their way.
Neera sets out to investigate Dawson’s whereabouts—if he even still lives—along with three other teens: Isaiah, son of a prominent judge and clandestine true crime podcaster; Reid, son of the wealthiest man in the region; and Sam, estranged daughter of the local hitman. As they find themselves entangled in a messy web of secrets and lies, they discover the riches of the adjacent Lake Clearwater community may have a terrifying source of power dating back to the town’s founding and an ancient urban legend about three devils, each more sinister than the next. How deep does the rot go, and can they find a way to escape its reach?
“Back then, when I was a young woman, there were still witches”: That was how Nana Alba always began the stories she told her great-granddaughter Minerva—stories that have stayed with Minerva all her life. Perhaps that’s why Minerva has become a graduate student focused on the history of horror literature and is researching the life of Beatrice Tremblay, an obscure author of macabre tales.
In the course of assembling her thesis, Minerva uncovers information that reveals that Tremblay’s most famous novel, The Vanishing, was inspired by a true story: Decades earlier, during the Great Depression, Tremblay attended the same university where Minerva is now studying and became obsessed with her beautiful and otherworldly roommate, who then disappeared under mysterious circumstances.
As Minerva descends ever deeper into Tremblay’s manuscript, she begins to sense that the malign force that stalked Tremblay and the missing girl might still walk the halls of the campus. These disturbing events also echo the stories Nana Alba told about her girlhood in 1900s Mexico, where she had a terrifying encounter with a witch.
Minerva suspects that the same shadow that darkened the lives of her great-grandmother and Beatrice Tremblay is now threatening her own in 1990s Massachusetts. An academic career can be a punishing pursuit, but it might turn outright deadly when witchcraft is involved.
Clio Louise Barnes leads a picture-perfect life as a stylist and influencer, but beneath the glossy veneer she harbors a not-so glamorous secret: she grew up in a haunted house. Well, not haunted. Possessed. After Clio’s parents' messy divorce, her mother, Alex, moved Clio and her sisters into a house occupied by a demon. Or so Alex claimed. That’s not what Clio’s sisters remember or what the courts determined when they stripped her of custody after she went off the deep end. But Alex was insistent; she even wrote a book about her experience in the house.
After Alex’s sudden death, the supposedly possessed house passes to Clio and her sisters. Where her sisters see childhood trauma, Clio sees an opportunity for house flipping content. Only, as the home makeover process begins, Clio discovers there might be some truth to her mother’s claims. As memories resurface and Clio finally reads her mother’s book, a sinister presence in the house manifests, revealing ugly truths that threaten to shake Clio’s beautiful life to its very foundation.
Young Margot lives in the woods with Mama. Margot only knows what Mama's taught her, and sometimes, Mama's cannibalistic urges get the better of her. Together, they take in lost hikers - "strays" as Mama calls them - and make meals of them. But one day, a beautiful, disrupting, and maybe just as dangerous woman enters their hideaway, giving way to what could be another fatal shift.
Even before the rumors about the Mansfield girls begin, Little Nettlebed is a village steeped in the uncanny, from strange creatures that wash up on the riverbed to portentous ravens gathering on the roofs of people about to die. But when the villagers start to hear barking, and when one claims to see the Mansfield sisters transform before his very eyes, the allegations spark fascination and fear like nothing has before.
The truth is that the inhabitants of Little Nettlebed have never much liked the Mansfield girls—a little odd, think some; a little high on themselves, perhaps—but they’ve always had plenty to say about them and, as the rotating perspectives of five of the villagers quickly make clear, now is no exception. Belief in witchcraft is waning but an aversion to difference is as widespread as ever, and these conflicting narratives all point to the same ultimate something isn’t right in Little Nettlebed, and the sisters will be the ones to pay for it.
Single mother Elodie’s life has become a fairy tale. She’s met Bren, equal parts golden-retriever devoted and sinfully handsome. He’s whisked her and her autistic son, Jude, to the crumbling family house he’s renovating. She has a new husband, a new house, and a new baby on the way. Everything is perfect.
Then Jude claims he can hear voices in the walls. He says their renovations are “hurting” the house. Even Elodie can’t ignore it–something strange is going on. The question is, is it with the house, or with her son?
Then the one secret Elodie has been hiding is revealed, and no one is safe anymore.
A pulse-pounding, clever take on the haunted house novel, You Did Nothing Wrong examines the complexities of motherhood and the twisted bonds of family as it races to its shocking ending.
