111 books tagged "Literary Fiction"
Hernán Cortés entra en Mehxicoh-Tenoxtitlan con sus nueve capitanes, sus dos traductores –el fraile Aguilar y Malinalli, intérprete y amante–, su tropa y sus caballos. Allí los agasaja con una comida la princesa Atotoxtli, hermana y esposa de Moctezuma, acompañada por los sacerdotes, y más adelante el propio emperador Moctezuma recibirá al caudillo Cortés. Unos no han visto jamás en su vida caballos, los otros nunca hasta ahora han probado el chocolate. Los españoles son bien recibidos en la ciudad, pero uno de los subalternos de Cortés, Jazmín Caldera, no se atreve a decirle que lo preocupante nunca había sido cómo llegar a Tenoxtitlan, sino cómo salir una vez que estuvieran adentro.
El ocho de noviembre de 1519 se produce el encuentro entre Cortés y Moctezuma, a quien nadie puede mirar directamente a la cara si él no le da primero su permiso. Es el encuentro entre dos mundos, dos imperios, dos idiomas, dos cosmovisiones.
¿Qué sucedió? ¿Qué pudo suceder? ¿Dónde acaba la verdad y empieza la leyenda? ¿Cómo abordar la historia desde la ficción? Álvaro Enrigue ha escrito una poderosa narración: una versión posible del encuentro que cambió la historia del mundo, una novela envuelta en misterios, violencia, ansias de poder y sueños que han sido imperios.
***THE BEASTS OF ELECTRA DRIVE*, a novel by Rohan Quine**
http://www.rohanquine.com/the-beasts-of-electra-drive/
**From Hollywood Hills mansions and Century City towers, to South Central motels and the oceanside refinery, *The Beasts of Electra Drive* by Rohan Quine spans a mythic L.A., following seven spectacular characters (or Beasts) from games designer Jaymi’s game-worlds. The intensity of those Beasts’ creation cycles leads to their release into real life in seemingly human forms, and to their combative protection of him from destructive rivals at mainstream company Bang Dead Games. Grand spaces of beauty interlock with narrow rooms of terror, both in the real world and in the incorporeal world of cyberspace. A prequel to Quine’s existing five tales, *The Beasts of Electra Drive* is a unique explosion of glamour and beauty, horror and enchantment, exploring the mechanisms and magic of creativity itself.**
Jaymi is an independent games designer living on Electra Drive in the Hollywood Hills. Opposed to him are his former colleagues at Bang Dead Games. Their mounting competitiveness regarding his own extravagant game-creation reaches a point where they attack him physically with a flying drone.
Bang Dead is preparing the global release of a game called *Ain’tTheyFreaky!*, centring on five tabloid-flavoured social-media “Newsfeeds” for the victimisation of certain people by others—the “Gal Score”, “Guy Score”, “Trivia Score”, “Arts Score” and “Cosy Score”. Jaymi decides to fight back, for self-protection and to counteract this game’s destructive effects.
He takes an irrevocable step: after creating Amber, the most dangerous of the characters (or Beasts, as he calls them) who will populate Jaymi’s project *The Platinum Raven*, he releases Amber from that game, such that Amber slithers out of Jaymi’s computer monitor. Appearing human, this now-incarnated Beast is sent to stalk *Ain’tTheyFreaky!*’s creators in real life—developer Dud Guy, visual designer Kelly, IT boss Ashley and programmer Herb.
While Amber terrorises them, Jaymi creates a second Beast, Evelyn, a woman of ease and freedom, from his project *The Imagination Thief*. Incarnated too, she joins Amber in sabotaging a Bang Dead venture in the physical world.
As Jaymi’s output spawns three more titles—*The Host in the Attic*, *Apricot Eyes* and *Hallucination in Hong Kong*—he jumps into the creation cycles and subsequent incarnations of five more varied and human-seeming Beasts. These are Shigem, Kim, the Platinum Raven, Scorpio, and his own simulacrum the Jaymi Beast.
Targeted by a more lethal drone attack than the first one, he decides that his Beasts’ missions must escalate: they will infiltrate the very substance of *Ain’tTheyFreaky!*. Evelyn, Shigem and Kim therefore sneak into one of the game’s visual environments (a mythically seedy Downtown L.A.), where they try to put an end to some of the casually-programmed cruelty in the game. Shigem shames one Bang Dead programmer into secretly working for Jaymi instead; and Kim persuades another high-ranking Bang Dead employee to join Jaymi likewise.
Five of the Beasts proceed to sabotage *Ain’tTheyFreaky!* at code level, turning its own server farm into a radically different kind of environment from before. Their sabotage takes aim at the game in such a way as to break it down into its constituent glyphs and pixels—then electrifies these, recombining them into brand-new forms of such enchanted love and wickedness and originality that they’d certainly have been forbidden by Bang Dead.
Amid the resultant conflict, a Beast is sent to kill a human; a Beast is arrested, before escaping and wreaking revenge; and another human is lashed to the top of the transmitter tower above the Hollywood Sign, where…
After the ensuing convulsions of destruction and violent creation have run their course, Jaymi’s Beasts slip away to their appointed onscreen destinations, one by one; and he is left alone again, just as he was before he brought them into being. As he fires up his newly-completed game *The Imagination Thief* for the first time, however, it is clear that neither he nor the world around him will ever quite be as before.
In her brilliantly inventive and haunting debut collection of stories, Julia Armfield explores bodies and the bodily, mapping the skin and bones of her characters through their experiences of isolation, obsession, love and revenge.
Teenagers develop ungodly appetites, a city becomes insomniac overnight, and bodies are diligently picked apart to make up better ones. The mundane worlds of schools and sleepy sea-side towns are invaded and transformed, creating a landscape which is constantly shifting to hold on to its inhabitants. Blurring the mythic and the gothic with the everyday, salt slow considers characters in motion – turning away, turning back or simply turning into something new entirely.
Miri thinks she has got her wife back, when Leah finally returns after a deep sea mission that ended in catastrophe. It soon becomes clear, though, that Leah may have come back wrong. Whatever happened in that vessel, whatever it was they were supposed to be studying before they were stranded on the ocean floor, Leah has carried part of it with her, onto dry land and into their home.
To have the woman she loves back should mean a return to normal life, but Miri can feel Leah slipping from her grasp. Memories of what they had before – the jokes they shared, the films they watched, all the small things that made Leah hers – only remind Miri of what she stands to lose. Living in the same space but suddenly separate, Miri comes to realize that the life that they had might be gone.
Our Wives Under The Sea is the debut novel from the critically acclaimed author of salt slow. It’s a story of falling in love, loss, grief, and what life there is in the deep, deep sea.
If you open your dictionary, you will discover that there is no such word as “bibliomystery.” However, most mystery readers know that the word refers to a mystery story that involves the world of books: a bookshop, a rare volume, a library, a collector, or a bookseller.
The stories in this unique collection were commissioned by the Mysterious Bookshop. They were written by some of the mystery genre’s most distinguished authors. Tough guys like Ken Bruen, Reed Farrel Coleman, Loren D. Estleman, and Mickey Spillane and Max Allan Collins. Bestsellers like Nelson DeMille, Anne Perry, and Jeffery Deaver. Edgar winners such as C. J. Box, Thomas H. Cook, and Laura Lippman.
Here you will discover Sigmund Freud dealing with an unwelcome visitor; Columbo confronting a murderous bookseller; a Mexican cartel kingpin with a fatal weakness for rare books; and deadly secrets deep in the London Library; plus books with hidden messages, beguiling booksellers, crafty collectors, and a magical library that is guaranteed to enchant you. The stories have been published in seven languages—one has sold more than 250,000 copies as an e-book (<a href="https://openlibrary.org/works/OL24191944W" target="_blank">“***The Book Case***”</a> by Nelson DeMille)—and another won the Edgar Allan Poe Award as the Best Short Story of the Year (***“The Caxton Lending Library and Book Depository”*** by John Connolly).
Who knew literature could be so lethal!
A classic escape nightmare, Chasing Homer is sped on not only by Krasznahorkai’s signature velocity, but also by a unique musical score and intense illustrations
In this thrilling chase narrative, a hunted being escapes certain death at breakneck speed—careening through Europe, heading blindly South. Faster and faster, escaping the assassins, our protagonist flies forward, blending into crowds, adjusting to terrains, hopping on and off ferries, always desperately trying to stay a step ahead of certain the past did not exist, only what was current existed—a prisoner of the instant, rushing into this instant, an instant that had no continuation … Krasznahorkai—celebrated for the exhilarating energy of his prose—outdoes himself in Chasing Homer. And this unique collaboration boasts beautiful full-color paintings by Max Neumann and—reaching out of the book proper—the wildly percussive music of Szilveszter Miklós scored for each chapter (to be accessed by the reader via QR codes).
Food critic Dorothy Daniels loves what she does. Discerning, meticulous, and very, very smart, Dorothy’s clear mastery of the culinary arts make it likely that she could, on any given night, whip up a more inspired dish than any one of the chefs she writes about. Dorothy loves sex as much as she loves food, and while she has struggled to find a long-term partner that can keep up with her, she makes the best of her single life, frequently traveling from Manhattan to Italy for a taste of both.
But there is something within Dorothy that’s different from everyone else, and having suppressed it long enough, she starts to embrace what makes Dorothy uniquely, terrifyingly herself. Recounting her life from a seemingly idyllic farm-to-table childhood, the heights of her career, to the moment she plunges an ice pick into a man's neck on Fire Island, Dorothy Daniels show us what happens when a woman finally embraces her superiority.
Even through the roar and effervescence of the 1920s, everyone in New York has heard of Benjamin and Helen Rask. He is a legendary Wall Street tycoon; she is the daughter of eccentric aristocrats. Together, they have risen to the very top of a world of seemingly boundless wealth—all as a decade of excess and speculation draws to an end. But at what cost have they acquired their immense fortune? This is the mystery at the center of *Bonds*, a successful 1937 novel that all of New York seems to have read. Yet there are other versions of this tale of privilege and deceit.
A Mexican woman, her baby daughter, and an American man come together first by chance, then by fate, as they migrate north and south - beyond the frontiers of courage, love, and forgiveness. Caught up in Yeny and Val's adventure are their families, bringing a volatile mix of prejudice, vengeance, and greed. To Raise a Fallen Sky asks us what is courage, and do we have enough of it in our hearts to forgive?
"We didn't call the police right away." Those are the first words of this extraordinary novel about a biracial Korean-American family in Virginia whose lives are upended when their beloved father and husband goes missing.
Mia, the irreverent, hyperanalytical twenty-year-old daughter, has an explanation for everything--which is why she isn't initially concerned when her father and younger brother Eugene don't return from a walk in a nearby park. They must have lost their phone. Or stopped for an errand somewhere. But by the time Mia's brother runs through the front door bloody and alone, it becomes clear that the father in this tight-knit family is missing and the only witness is Eugene, who has the rare genetic condition Angelman syndrome and cannot speak.
Late one night on a Yorkshire farm, in the midst of an illegal rave, a young man is nearly bludgeoned to death with a solid gold bar.
An ambitious young journalist sets out to uncover the truth surrounding the attack, connecting the dots between an amoral banker landlord, an iconoclastic columnist, and a radical anarchist movement that has taken up residence on the farm. She solves the mystery, but her viral exposé raises more questions than it answers. Through a voyeuristic lens, and with a simmering power, Universality focuses on words: what we say, how we say it, and what we really mean.
When Daniel de La Luna arrives as a scholarship student at an elite East Coast university, he bears the weight of his family’s hopes and dreams, and the burden of sharing his late uncle’s name. Daniel flounders at first—but then Sam, his roommate, changes everything. As their relationship evolves from brotherly banter to something more intimate, Daniel soon finds himself in love with a man who helps him see himself in a new light. But just as their relationship takes flight, Daniel is pulled away, first by Sam’s hesitation and then by a brutal turn of events that changes Daniel’s life forever.
As he grapples with profound loss, Daniel finds himself in his family’s ancestral homeland in México for the summer, finding joy in this setting even as he struggles to come to terms with what’s happened and faces a host of new questions: How does the person he is connect with this place his family comes from? How is his own story connected to his late uncle’s? And how might he reconcile the many parts of himself as he learns to move forward?
When Sonia and Sunny first glimpse each other on an overnight train, they are immediately captivated yet also embarrassed by the fact that their grandparents had once tried to matchmake them, a clumsy meddling that served only to drive Sonia and Sunny apart.
Sonia, an aspiring novelist who recently completed her studies in the snowy mountains of Vermont, has returned to her family in India. She fears that she is haunted by a dark spell cast by an artist to whom she had once turned for intimacy and inspiration. Sunny, a struggling journalist resettled in New York City, is attempting to flee his imperious mother and the violence of his warring clan. Uncertain of their future, Sonia and Sunny embark on a search for happiness together as they confront the many alienations of our modern world.
Grieving mother Magos cuts out a piece of her deceased eleven-year-old son Santiago’s lung. Acting on fierce maternal instinct and the dubious logic of an old folktale, she nurtures the lung until it gains sentience, growing into the carnivorous little Monstrilio she keeps hidden within the walls of her family’s decaying Mexico City estate. Eventually, Monstrilio begins to resemble the Santiago he once was, but his innate impulses-though curbed by his biological and chosen family’s communal care-threaten to destroy this fragile second chance at life.
In Half Moon Bay, California, 2016, a young woman waits for her father's sailboat to arrive at port. They have agreed to meet on this day and time. Yet he never shows.
He has told her this event might come. And if it did, she was ready. Go to the library in Berkeley, find a certain book, follow the instructions. But what if the instructions lead to more questions than answers
In 1933, a young man arrives in Vienna to begin a new post as a professor of mathematics at the university. There he finds himself part of the Engelhardt Circle, a group of intellectuals that have recently been targeted by a growing, anti-academic mob. The circle includes the preeminent minds of their time and a cast of characters desperate to get invited into their midst, many of whom will stop at nothing to get there. As fascism rises, and polarization increases, moderate voices are drowned out.
There are whispers of a machine, a music box, which can transport someone through time. But no one can confirm if it's a rumor or true. And the only people who know firsthand are not talking.
Between the young woman, who lives off the grid and spends her free time editing Wikipedia entries and picking fights with people online, and the circle of intellectuals debating space and time in Vienna on the eve of World War II, lie years of history that might easily be erased—unless old secrets are unraveled. Kirsten Menger-Anderson's beautiful meditation on time, love, and obsession shows us how we never truly know what happened in the past, and often how the past eerily mirrors the future.
The Sky Left Behind is a haunting and deeply human novel about what it means to leave one life behind and attempt to build another beneath an unfamiliar sky.
Nahom arrives in Canada carrying more than luggage—he carries a past shaped by memory, language, and a homeland that refuses to loosen its grip. What he finds is not the promised ease of reinvention, but a quiet struggle against isolation, cultural dislocation, and the invisible weight of being unseen. As he wrestles with language barriers, fractured belonging, and the ache of homesickness, Nahom must decide how much of himself he can reshape without losing who he truly is.
Friendships form and fracture, love arrives in unexpected and sometimes painful ways, and betrayal tests the fragile trust he builds in a world that often feels indifferent. Moving between hope and despair, survival and longing, Nahom’s journey becomes one of reckoning—between the person he was, the person he is becoming, and the sky he left behind.
Richly layered and emotionally resonant, The Sky Left Behind offers a powerful portrait of the African immigrant experience in Canada. It is a story of resilience and adaptation, of love and loss, and of the courage it takes to honor one’s roots while daring to belong somewhere new. Both intimate and universal, this novel speaks to anyone who has ever searched for home in a foreign land.
There But For The is a 2011 novel by Scottish author Ali Smith, first published in the UK by Hamish Hamilton and in the US by Pantheon, and set in 2009 and 2010 in Greenwich, London. It was cited by both The Guardian book review and the Publishers Weekly as one of the best books of the year. and was also longlisted for the 2012 Orange Prize for Fiction.
In the midst of a violent student uprising in South Korea, a young boy named Dong-ho is shockingly killed.
The story of this tragic episode unfolds in a sequence of interconnected chapters as the victims and the bereaved encounter suppression, denial, and the echoing agony of the massacre. From Dong-ho’s best friend who meets his own fateful end; to an editor struggling against censorship; to a prisoner and a factory worker, each suffering from traumatic memories; and to Dong-ho's own grief-stricken mother; and through their collective heartbreak and acts of hope is the tale of a brutalized people in search of a voice.
An award-winning, controversial bestseller, Human Acts is a timeless, pointillist portrait of an historic event with reverberations still being felt today, by turns tracing the harsh reality of oppression and the resounding, extraordinary poetry of humanity.
Born under different stars, Protestant Mungo and Catholic James live in a hyper-masculine world. They are caught between two of Glasgow’s housing estates where young working-class men divide themselves along sectarian lines, and fight territorial battles for the sake of reputation. They should be sworn enemies if they’re to be seen as men at all, and yet they become best friends as they find a sanctuary in the dovecote that James has built for his prize racing pigeons. As they begin to fall in love, they dream of escaping the grey city, and Mungo must work hard to hide his true self from all those around him, especially from his elder brother Hamish, a local gang leader with a brutal reputation to uphold.
But the threat of discovery is constant and the punishment unspeakable. When Mungo’s mother sends him on a fishing trip to a loch in Western Scotland, with two strange men behind whose drunken banter lie murky pasts, he needs to summon all his inner strength and courage to get back to a place of safety, a place where he and James might still have a future.
Imbuing the everyday world of its characters with rich lyricism, Douglas Stuart’s *Young Mungo* is a gripping and revealing story about the meaning of masculinity, the push and pull of family, the violence faced by so many queer people, and the dangers of loving someone too much.
"Anyone will tell you the born of this world are marked from the get-out, win or lose."
Set in the mountains of southern Appalachia, this is the story of a boy born to a teenaged single mother in a single-wide trailer, with no assets beyond his dead father's good looks and copper-colored hair, a caustic wit, and a fierce talent for survival. In a plot that never pauses for breath, relayed in his own unsparing voice, he braves the modern perils of foster care, child labor, derelict schools, athletic success, addiction, disastrous loves, and crushing losses. Through all of it, he reckons with his own invisibility in a popular culture where even the superheroes have abandoned rural people in favor of cities.
Many generations ago, Charles Dickens wrote David Copperfield from his experience as a survivor of institutional poverty and its damages to children in his society. Those problems have yet to be solved in ours. Dickens is not a prerequisite for readers of this novel, but he provided its inspiration. In transposing a Victorian epic novel to the contemporary American South, Barbara Kingsolver enlists Dickens' anger and compassion, and above all, his faith in the transformative powers of a good story. Demon Copperhead speaks for a new generation of lost boys, and all those born into beautiful, cursed places they can't imagine leaving behind.
