11 books tagged "Medieval"
Joan is wed without a dowry to a knight without a household. In the cold and dark of 12th-century Northumbria she struggles under the burden of life as his servant and wife, mother to his children, keeper of his hall, and tanner of the wolf pelts he must render to the king in tax each summer.
Alone at the end of the world with her husband and his cruel, mercurial sister-in-law, Joan gradually descends into a netherworld of filth and madness as the demands of her new life crush her mind beneath their weight.
Lady Dwyn Innes feels utterly out of place among the eligible women who’ve descended on Buchanan Keep, vying for the attention of the last unmarried brothers. She isn’t long-legged and slender like her sisters, or flirtatious and wily like other lasses. Since her betrothed died, Dwyn has resigned herself to becoming an old maid. Yet a chance encounter with a stranger in the orchard awakens her to a new world of sensation and possibility...
After weeks away, Geordie Buchanan returns to find his home swarming with potential brides, thanks to his loving but interfering family. But one lass in particular draws his attention from the moment he spies her climbing a tree. Lady Dwyn is not nearly as plain as she thinks. Her lush figure and eager kisses delight him, as does her honesty. But the real test lies ahead: eliminating a hidden enemy, so that he and Dwyn can seal their Highland passion with a vow.
An invigorating swim in the loch was exactly what Calan Campbell, Laird of Kilcairn, needed after defeating his enemies in battle. What he didn’t need was a thief running away with his plaid while he swam. Calan gave chase and managed to catch the lad, only the lad turned out to be a lass, and obviously a lady. Having hit her head when he’d tackled her to the ground, the woman was now unconscious and couldn’t explain how she had ended up bruised and naked in his woods. He’d have to take her back to his castle and tend her wounds to learn that.
Kidnapped and forced to wed her clan’s enemy, Allissaid MacFarlane had risked death to escape. But after a struggle over a plaid she tried to “borrow,” she awakens in a strange bed with a strange man seated in a chair beside her. Unsure if he is friend or foe, she claims not to remember her own name or how she’d come to be in the clearing. However, the more time she spends with Calan, the more she falls for this strong, honorable laird. She soon decides she can trust him with her life. . . but can she trust him with her heart?
Graeme Gunn is a warrior through and through. Content for his brother William to hold the title of clan chief, he left home years ago, battling his way through Scotland as a mercenary. When news arrives of William’s death, Graeme is forced to return to everything he left behind, including his brother’s shy young widow, Annella Mackay. But the beautiful, determined woman he finds at the keep is nothing like the quiet virgin he remembers…
Annella Mackay once had hopes for a loving marriage, a dream that shattered when her husband abandoned her. Hiding her pain, she took on the responsibilities of both laird and lady for the Gunn clan with spirit. But when she learns her husband is dead, she realizes she finally has a chance at a new dream, and she won’t let anything deter her plans. Not even Graeme, no matter how strong her attraction to the gruff and stubborn warrior…
It's a clash of will and passion unlike anything they’ve known, especially when Graeme decides to stay and claim his title. But as the clan faces the threat of a hidden enemy, Graeme and Annella must fight for their home together…and they realize they are also fighting for their love.
Europe stares into the abyss.
Plague and famine stalk the land, monsters lurk in every shadow and greedy princes care for nothing but their own ambitions. Only one thing is certain: the elves will come again, and they will eat everyone.
Sometimes, only the darkest paths lead towards the light. Paths on which the righteous will not dare to tread . . .
And so, buried beneath the sacred splendour of the Celestial Palace, is the secret Chapel of the Holy Expediency. For its congregation of convicted monsters there are no sins that have not been committed, no lines that will not be crossed, and no mission that cannot be turned into a disastrous bloodbath.
Now the hapless Brother Diaz must somehow bind the worst of the worst to a higher cause: to put a thief on the throne of Troy, and unite the sundered church against the coming apocalypse.
When you're headed through hell, you need the devils on your side.
Robin Hood : The Legend Begins Anew
For centuries, the legend of Robin Hood and his band of thieves has captivated the imagination. Now the familiar tale takes on new life, fresh meaning, and an unexpected setting.
Hunted like an animal by Norman invaders, Bran ap Brychan, heir to the throne of Elfael, has abandoned his father's kingdom and fled to the greenwood. There, in the primeval forest of the Welsh borders, danger surrounds him -- for this woodland is a living, breathing entity with mysterious powers and secrets, and Bran must find a way to make it his own if he is to survive.
Like the forest itself, *Hood* is deep, dark, and at times savagely brutal -- yet full of enchantment and hope. Internationally-acclaimed author Stephen R. Lawhead has created a lyrical rendering of a time-honored story that will lead you down strange pathways into another time and place.
"From the Pulitzer Prize-winning author of perhaps the most bestselling and beloved literary fiction of our time comes a triumph of imagination and compassion, a soaring novel about children on the cusp of adulthood in a broken world, who find resilience, hope, and story. The heroes of Cloud Cuckoo Land are children trying to figure out the world around them, and to survive. In the besieged city of Constantinople in 1453, in a public library in Lakeport, Idaho, today, and on a spaceship bound for a distant exoplanet decades from now, an ancient text provides solace and the most profound human connection to characters in peril. They all learn the story of Aethon, who longs to be turned into a bird so that he can fly to the paradise of Cloud Cuckoo Land, a better world. Twelve-year-old Anna lives in a convent where women toil all day embroidering the robes of priests. She learns to read from an old Greek tutor she encounters on her errands in the city. In an abandoned priory, she finds a stash of old books. One is Aethon's story, which she reads to her sister as the walls of Constantinople are bombarded by armies of Saracens. Anna escapes, carrying only a small sack with bread, salt fish-and the book. Outside the city walls, Anna meets Omeir, a village boy who was conscripted, along with his beloved pair of oxen, to fight in the Sultan's conquest. His oxen have died; he has deserted. In Lakeport, Idaho, in 2020, Seymour, a young activist bent on saving the earth, sits in the public library with two homemade bombs in pressure cookers-another siege. Upstairs, eighty-five-year old Zeno, a former prisoner-of-war, and an amateur translator, rehearses five children in a play adaptation of Aethon's adventures. On an interstellar ark called The Argos, Konstance is alone in a vault with sacks of Nourish powder and access to all the information in the world-or so she is told. She knows Aethon's story through her father, who has sequestered her to protect her. Konstance, encased on a spaceship decades from now, has never lived on our beloved Earth. Alone in a vault with sacks of Nourish powder and access to "all the information in the world," she knows Aethon's storythrough her father. Like Marie-Laure and Werner in All the Light We Cannot See, Konstance, Anna, Omeir, Seymour, the young Zeno, the children in the library are dreamers and misfits on the cusp of adulthood in a world the grown-ups have broken. They through their own resilience and resourcefulness, and through story. Dedicated to "the librarians then, now, and in the years to come," Anthony Doerr's Cloud Cuckoo Land is about the power of story and the astonishing survival of the physical book when for thousands of years they were so rare and so feared, dying, as one character says, "in fires or floods or in the mouths of worms or at the whims of tyrants." It is a hauntingly beautiful and redemptive novel about stewardship-of the book, of the Earth, of the human heart"--
Dante, after becoming lost on the path of life, is led by Virgil into Hell to begin his journey back to the light of God.
A collection of stories written in Middle English by Geoffrey Chaucer at the end of the 14th century. The tales (mostly in verse, although some are in prose) are told as part of a story-telling contest by a group of pilgrims as they travel together on a journey from Southwark to the shrine of Saint Thomas Becket at Canterbury Cathedral. In a long list of works, including Troilus and Criseyde, House of Fame, and Parliament of Fowls, The Canterbury Tales was Chaucer's magnum opus. He uses the tales and the descriptions of the characters to paint an ironic and critical portrait of English society at the time, and particularly of the Church. Structurally, the collection bears the influence of The Decameron, which Chaucer is said to have come across during his first diplomatic mission to Italy in 1372. However, Chaucer peoples his tales with 'sondry folk' rather than Boccaccio's fleeing nobles.
Ovid’s sensuous and witty poem. In Metamophoses, Ovid brings together a dazzling array of mythological tales, ingeniously linked by the idea of transformation—often as a result of love or lust—where men and women find themselves magically changed into new and sometimes extraordinary beings. Beginning with the creation of the world and ending with the deification of Augustus, Ovid interweaves many of the best-known myths and legends of ancient Greece and Rome, including Daedalus and Icarus, Pyramus and Thisbe, Pygmalion, Perseus and Andromeda, and the fall of Troy.
De goddelijke komedie is de beschrijving van een denkbeeldige tocht door het hiernamaals. Zij heeft drie delen: de hel, het vagevuur en het paradijs en ieder van deze delen heeft drieëndertig zangen van niet geheel gelijke lengte, terwijl aan het eerste deel nog een inleidende zang voorafgaat, waardoor het totale aantal van de zang honderd bedraagt. Dit aantal is geen toevalligheid. Het getal honderd gold in de middeleeuwse getallensymboliek, waarvan ook Dante een naarstig beoefenaar was, als het zinnebeeld van de volmaaktheid. Drie is het getal van de personen der heilige drie-eenheid, drieëndertig is het aantal jaren van Jezus' aardse leven.
In de eerste zang van De goddelijke komedie is Dante verdwaald in een donker woud en terwijl hij wanhopig naar hulp uitziet ontmoet hij daar de Latijnse dichter Vergilius. Samen verlaten zij het aardoppervlak en dalen af naar de hel, die voorgesteld wordt als een systeem van concentrische, zich steeds verder vernauwende kringen, een soort geringde trechter, die tenslotte in het middelpunt van de aarde eindigt. Daar zit Lucifer in het ijs, met zijn hoofd naar ons halfrond toe en met zijn voeten naar het zuidelijk halfrond gekeerd.
Tussen het ijs en Lucifer vinden Dante en Vergilius een weg langs het middelpunt van de aarde en stijgen dan weer op naar het zuidelijk halfrond. Zij bereiken een eiland, waar zich een hoge berg verheft, de louteringsberg van het vagevuur, waar de zielen die in staat van genade zijn gestorven, maar hun aardse schulden nog niet hebben uitgeboet, geleidelijk gelouterd worden en opstijgen naar de hemelse zaligheid. Deze berg, een soort tegenbeeld van de hel, heeft langs zijn flanken steeds nauwer wordende gaanderijen. Daarlangs stijgen Dante en Vergilius opwaarts naar de top, waar zich het aardse paradijs bevindt.
Wanneer zij daar zijn aangekomen, wordt Vergilius als Dante's geleider afgelost door Beatrice. Samen met Beatrice stijgt Dante nu opwaarts naar het paradijs. De eeuwige woonplaats van de zaligen bestraald door het licht van God.
