In her Introduction to an edition of "Agnes Grey," Barbara A. Suess writes "Bronte provides a portrait of the governess that is as sympathetic as her fictional indictment of the shallow, selfish moneyed class is biting." Anne Bronte relies on her own personal involvement in her duties as a home teacher to bring Agnes Grey to life. Agnes, a rector's daughter, must take employment as a governess to help her family make financial ends meet. But her situations with the spoiled, self-obsessed Bloomfield children and later with the ruthless Murray family forces her into a lonely, humiliating experience that is a wearying one extraordinarily blossoming into a romantic relationship with the local vicar, Edward Weston. Agnes' concern for her family brings her to these unfortunate trials where she suffers stupid and egotistic proprietors and their over-indulged progeny. She was not able to foresee the hardships she would have to undergo along with the class snobbery to which she was also subjected. And yet a career as a governess was the only "respectable" job available to an unmarried woman in Victorian England. Bronte's simple and uncomplicated rendition of these sordid affairs made circumstances surrounding such brutish conditions authentic enough to necessitate investigation and improvement.
**Librarian note: Alternate cover editions for this ISBN are: "Woman in white dress" (with the title on white and black background), "Woman at the easel" on a black and blue background, and "Furniture, easel and window".**
***Anne Brontë's second novel is a passionate and courageous challenge to the conventions supposedly upheld by Victorian society and reflected in circulating-library fiction.*** The heroine, Helen Huntingdon, after a short period of initial happiness, leaves her dissolute husband, and must earn her own living to rescue her son from his influence. The Tenant of Wildfell Hall is compelling in its imaginative power, the realism and range of its dialogue, and its psychological insight into the characters involved in a marital battle.
While I acknowledge the success of the present work to have been greater than I anticipated, and the praises it has elicited from a few kind critics to have been greater than it deserved, I must also admit that from some other quarters it has been censured with an asperity which I was as little prepared to expect, and which my judgment, as well as my feelings, assures me is more bitter than just.
It is scarcely the province of an author to refute the arguments of his censors and vindicate his own productions; but I may be allowed to make here a few observations with which I would have prefaced the first edition, had I foreseen the necessity of such precautions against the misapprehensions of those who would read it with a prejudiced mind or be content to judge it by a hasty glance.
