An accident involving the father of a boy suspected of doing drugs finds Commissario Guido Brunetti pursuing a series of false and contradictory leads before uncovering a long-standing scam and unleashing unintentional consequences.
"During an interrogation, Brunetti acts rashly, doing something he quickly comes to regret, and in the fallout, he realizes that he needs a break. Granted leave from the Questura, Brunetti's wife Paola ships him off to a villa owned by a wealthy relative on Sant'Erasmo, one of the largest islands in the laguna. There he intends to pass his days rowing, and his nights reading Pliny's Natural History. The recuperative stay goes according to plan until David Casati, the caretaker of the house, goes missing following a sudden storm. Now, Brunetti feels compelled to investigate, to set aside his leave of absence and understand what happened to the man who had become his friend"--
When the body of man is found in a canal, damaged by the tides, carrying no wallet, and wearing only one shoe, Brunetti has little to work with. No local has filed a missing-person report, and no hotel guests have disappeared. Where was the crime scene? And how can Brunetti identify the man when he can't show pictures of his face? The autopsy shows a way forward: it turns out the man was suffering from a rare, disfiguring disease. With Inspector Vianello, Brunetti canvasses shoe stores, and winds up on the mainland in Mestre, outside of his usual sphere. From a shopkeeper, they learn that the man had a kindly way with animals. At the same time, animal rights and meat consumption are quickly becoming preoccupying issues at the Venice Questura, and in Brunetti's home, where conversation at family meals offer a window into the joys and conflicts of Italian life. Perhaps with the help of Signorina Elettra, Brunetti and Vianello can identify the man and understand why someone wanted him dead.
Caterina Pellegrini is a native Venetian, and like so many of them, she's had to leave home to pursue her career. With a doctorate in baroque opera from Vienna, she lands in Manchester, England. Manchester, however, is no Venice. When Caterina gets word of a position back home, she jumps at the opportunity. The job is an unusual one. After nearly three centuries, two locked trunks, believed to contain the papers of a baroque composer have been discovered. Deeply-connected in religious and political circles, the composer died childless; now two Venetians, descendants of his cousins, each claim inheritance. Caterina's job is to examine any enclosed papers to discover the "testamentary disposition" of the composer. But when her research takes her in unexpected directions she begins to wonder just what secrets these trunks may hold.
Commissario Guido Brunetti, with the help of Inspector Lorenzo Vianello and the ever-resourceful Signorina Elettra Zorzi, investigates the death of a Venetian widow in a Spartan apartment on Campo San Giacomo dell'Orio.
The new novel from Donna Leon, the Sunday Times bestselling author of About FaceAs Venice experiences a debilitating heatwave, Commissario Brunetti prepares to escape the city and spend time with his family in the mountains. For Ispettore Vianello, however, the weather is the last thing on his mind; it appears his aunt has become obsessed with horoscopes and has been withdrawing large amounts of money from the family business. Not knowing what to do, he consults Brunetti and asks permission to trail her. This 'unofficial' investigation leads them to the flat of Stefano Gorini. But who is this man? And why is Vianello's aunt giving him large amounts of money?Meanwhile, Brunetti receives a visit from a friend who works at the Commune. It seems that discrepancies have been occurring at the Courthouse involving Judge Luisa Coltellini and Araldo Fontana, an usher with a flawless track record. Intrigued, Brunetti asks Signorina Elletra to find out what she can while he is away on his family holiday.When news reaches Brunetti that Araldo Fontana has been murdered in a violent attack, he returns to the city to head up the investigation. But why would someone want a good man dead, and what might his death have to do with the discrepancies at the Courthouse? It soon becomes clear that things are not what they seem, and as suspicions arise Brunetti has to dig ever deeper to uncover the truth behind the facade.
An unidentified African street vendor is executed in front of tourists in the middle of Venice. Guido Brunetti, the policeman who usually must solve the problem, is further challenged when other Italian agencies get involved. In parallel with the plot narrative, the characters reveal the societal conflicts and confusion in their attitudes toward legal and illegal immigration and how it is changing life in Venice.
