A very real little girl named Alice follows a remarkable rabbit down a rabbit hole and steps through a looking-glass to come face to face with some of the strangest adventures and some of the oddest characters in all literature. The crusty Duchess, the Mad Hatter, the weeping Mock Turtle, the diabolical Queen of Hearts, the Cheshire-Cat, Tweedledum and Tweedledee--each one is more eccentric, and more entertaining, than the last. And all of them could only have come from the pen of Lewis Carroll, one of the few adults ever to enter successfully the children's world of make-believe--a wonderland where the impossible becomes possible, the unreal, real...where the heights of adventure are limited only by the depths of imagination.
--back cover
Contains:
- [Alice's Adventures in Wonderland](https://openlibrary.org/works/OL8193508W)
- [Through the Looking Glass, and What Alice Found There][2]
[2]: https://openlibrary.org/works/OL15298516W
Alice's Adventures in Wonderland (commonly Alice in Wonderland) is an 1865 English children's novel by Lewis Carroll. A young girl named Alice falls through a rabbit hole into a fantasy world of anthropomorphic creatures. It is seen as an example of the literary nonsense genre.
One of the best-known works of Victorian literature, its narrative, structure, characters and imagery have had huge influence on popular culture and literature, especially in the fantasy genre.
*Through the Looking-Glass, and What Alice Found There* (1871) is a work of children's literature by Lewis Carroll (Charles Lutwidge Dodgson), generally categorized in the fairy tale genre. It is the sequel to *Alice's Adventures in Wonderland* (1865). Although it makes no reference to the events in the earlier book, the themes and settings of *Through the Looking-Glass* make it a kind of mirror image of Wonderland: the first book begins outdoors, in the warm month of May, uses frequent changes in size as a plot device, and draws on the imagery of playing cards; the second opens indoors on a snowy, wintry night exactly six months later, on November 4 (the day before Guy Fawkes Night), uses frequent changes in time and spatial directions as a plot device, and draws on the imagery of chess. In it, there are many mirror themes, including opposites, time running backwards, and so on. ([Wikipedia][1])
[1]: http://en.wikipedia.org/wiki/Through_the_Looking-Glass
